In the latest twist in Hollywood’s never-ending saga of creative collaborations, Mel Gibson has taken a bold stand against what he perceives as an invasion of wokeness in the industry. The actor, known for his candid remarks and a career that has weathered its fair share of storms, has recently refused to participate in Rob Reiner’s $35 million project, declaring Reiner to be “too much woke” for his liking. In this satirical take on the situation, we explore the comical intricacies of Gibson’s rejection and the theatrical war on wokeness that seems to be playing out in the world of Tinseltown.

Rob Reiner, the acclaimed filmmaker behind classics like “When Harry Met Sally” and “A Few Good Men,” recently announced his ambitious $35 million project that promised to be a woke extravaganza, tackling social issues, political correctness, and everything in between. Little did he know that his vision for a culturally conscious masterpiece would encounter a formidable opponent in the form of the ever-unpredictable Mel Gibson.

Mel Gibson, no stranger to controversy, has embarked on a self-appointed mission to rid Hollywood of what he perceives as the infectious plague of wokeness. His refusal to work with Rob Reiner, whom he deems as the flagbearer of this socially conscious movement, is just the latest chapter in Gibson’s theatrical crusade against the forces of political correctness.

Sources close to the project reveal that the rejected script, titled “A Woke Odyssey,” promised to be an epic journey through the minefield of contemporary social issues. From gender equality to climate change, the narrative was poised to navigate the woke landscape with the finesse of a tightrope walker. Alas, Gibson was having none of it.